The exclamation point —“a sign of failure”

Achtung sign with exclamation point

The punctus exclamativus (or punctus admirativus) first appeared in the latter half of the 14th century to mark the end of an exclamation. The Italian poet Iacopo Alpoleio da Urbisaglia claimed to have invented it. The influential Italian humanist Coluccio Salutati revived the exclamativus and its use spread in the 15th century.

Although the exclamation goes by many names, in the American typographic and printing trades, the exclamation point was referred to as a “bang” or a “screamer.” Bang still exists in programming, as in “Postscript files always start with percent-bang-PS” (%!PS).

Traditional etymologies of the exclamation mark, recounted by the brilliant, amateur classicists, Alexander & Nicholas Humez in their book ABC et Cetera go like this:

“…the exclamation point … is derived either from an abbreviation of Latin interiectiō (interjection) or from the Latin interjection Iō! (‘Hey!’).” In their most recent book, On the Dot, the Brothers Humez explain that the exclamation mark was known in English as “note or mark of admiration (a straight-forward translation of Iacopo’s term punctus admirativus),” and the term “exclamation point” was adopted in the 17th century.

If you accept the traditional etymologies, the morphology of the exclamation point, as with the question mark, appears to boil down to the convenience of abbreviation. Medieval scribes stacked the i above the o, the o became a point, and thus evolved this energetic punctuation mark.

Jeb Bush 2016 with exclamationJeb Bush’s infamous exclamation point campaign logo (see designer David Carson’s comments) contrasted unflatteringly with Donald Trump’s claims in the 2016 presidential primaries that Bush was “a very low-energy kind of guy.”

Avoid overuse:

Our advice: exclamations should not be used in business correspondence, but online communications have made this once rarely-used punctuation mark all too common, and (along with emoticons) they’ve slipped across the blurred boundaries of every form of electronic communication.

“Cut out all these exclamation points. An exclamation point is like laughing at your own joke.”
—F. Scott Fitzgerald

“Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.”
—Elmore Leonard

“So far as good writing goes, the use of the exclamation mark is a sign of failure. It is the literary equivalent of a man holding up a card reading ‘laughter’ to a studio audience.”
—Miles Kingston

Chop Suey typefaces

Chop-suey typefaces

“Ethnic” typefaces do have a place in graphic design, though you’re well advised to avoid them, unless your client insists. After all, who would give the carry-out box in the illustration a second thought if Moishe had used the typeface Shalom? Even so, sensitivity is recommended. For some reason, ethnic typefaces are only common in the restaurant and bar industries. The most recognizable and ubiquitous of “ethnic fonts” are the faux Asians, or Chop Suey typefaces: KanbanMandarin, Rickshaw, Wonton, et al. But also available are cliché representations of IrishGreekArabTropical HispanicSlavic, German and French.

A piece by Paul Shaw in Print Magazine about ethnic stereotyping in graphic design got us to thinking about the many stereotypes that typography can convey: hippiestrekkiesscrapbookersprogrammer/geeksnew-agersbelievers in unicornsheadbangersfratboysneedlepointerstaggersrestroom taggersrenaissance fairgoerssecret agents, Klingons and cowboys all have their typographic parodies.

Wonton, an Image Club typeface

Wonton, an Image Club typeface

And since we all use the Roman alphabet, it would be redundant to stereotype ancient Latin, right? Guess again.

Virgule versus solidus

virgule vs. solidus

The slash on our keyboards is a virgule. The name comes down to us from Latin through French (virgula “twig”). It served medieval European literature as a comma and still does this in English language poetry. It also separates things (2015/2016), and it stands in for “or” (as in and/or) and “per” (as in feet/second). We also use it to build level fractions (1/3).

pound sterling symbolThe solidus is slightly thinner and more oblique. Typographers use it to improvise fractions (see illustration). Solidus was the name of a Roman coin, and a Roman pound (libra) was comprised of 72 solidi. The British pound mark (£) is a descendant of the Roman libra. The symbol for the British pound sterling a stylized italic upper case L. It’s an abbreviated form of libra, “scale/balance.” The Latin pondo for “pound” was about twelve ounces, and libra is the source of the abbreviation “lb.” The English shilling is abbreviated with a solidus (e.g. “1 ⁄ 6” would be 1 shilling and sixpence).

dollar symbolWhile we’re on currency symbols, the dollar comes to us from the Spanish peso. A handwritten “Ps” was an abbreviation for pesos in the New World. In English, it was first recorded in the 1770s in manuscripts and is seen in print in the early nineteenth century.

Again, a tip of the sombrero to the brilliant Humez brothers.


Ligatures: marriages of suitable characters


Adobe Minion pro partial set of ligaturesAdobe Minion Pro offers a large assortment of ligatures.

The ampersand is the best-known ligature, but there are other common conjoined letters that are less visible. Beyond the five standard Roman ligatures, many type families offer more extensive sets of connected characters. Open Type now makes the use of ligatures effortless, and many fonts offer an array of ligatures. In many Roman typefaces, the lowercase f runs into letters that follow, so Renaissance type foundries solved the problem by creating individual sorts for the five most common problems (ff, fi, fl, ffl and ffi).


Etymology: the Latin verb ligare, to bind, gives us the typographic term ligature for connected letters. Common cognates would be league, ligament, and ligate (to tie off an artery).


Latin is all Greek to me

Lorem Ipsum is used for greeking text

When designs are required before content is ready “greeking” is a method of filling in space where the text will go. It can be accomplished by simply sketching horizontal lines with a pencil, or, with the advent of design software, by dropping Latin into text columns. Designers call this placeholder text Lorem Ipsum, because these are the first two words of the most commonly used greeking text.

Greeked pencil layout

Greeked pencil layout by Dixi Gail Hall

The idea is to not distract decision makers with questions of text messaging. These rough layouts can also help copywriters see how much text might be appropriate.

Lorem Ipsum is a somewhat scrambled excerpt from de Finibus Bonorum et Malorum, written by Cicero in 45 BCE. Cicero was popular reading throughout the late middle ages when literacy was spreading, and into the Enlightenment when all educated Europeans still read Latin, but by the time Lorem Ipsum was put together, Latin was understood by few, so it was the perfect placeholder text to show foundry type to printers or to dummy-up an advertisement.

You can generate Lorem Ipsum text online for your next project.



Ampersands, &c.


The ampersand has been with us perhaps since the first century CE in one form or another. It’s a conjoining of the e and t, forming the Latin et, which means “and.” You can still make out both letters in even the most abstract designs since typographers know that the ampersand is a ligature and design it as such. Because ampersands are so highly stylized, they can add verve to even the stodgiest of typefaces.

Designers, take note: as Robert Bringhurst has written, the italic versions of ampersands are less restrained than their roman counterparts. “Since the ampersand is more often used in display work than in ordinary text…there is rarely any reason not to borrow the italic ampersand for use with roman text.” An italic ampersand can bring verve, and a completed appearance, to even the stodgiest logo—like a colorful necktie.

Victorian alphabet

Pre-Victorian alphabets included the ampersand as the 27th letter.

Etymology: Pre-Victorian grammar schools included the ampersand as the last letter of the alphabet. In spelling recitations in which a word is added after the letters are spelled out (e.g., “d, o, g—dog”), a word that is a single letter (“a” and “I”) would be repeated with the Latin per se (“by itself”), thus “a” would be “a per se a.” Children ended recitations of the alphabet with “x, y, z and, per se, and” which through rote repetition became the garbled “ampersand.”

The ampersand is used as a letter in “&c,” a perfectly acceptable abbreviation of et cetera.



At’s what we’re talking about

The ubiquitous, iconic “at” symbol’s  roots are late medieval. Scribes perhaps added a swash to the d in the Latin ad (to or at). It was included on typewriters as early as 1885, but there was no place for @ in traditional typesetting, and there was no nook for the character in the California Job Case.

Ray Tomlinson's at sign“@” has long been associated with retail sales and accountancy, but in 1971, Ray Tomlinson (23 April, 1941–5 March, 2016) was working on a way to communicate over a new computer network—the predecessor of the modern-day Internet. “I looked at the keyboard, and I thought: What can I choose here that won’t be confused with a username?” The at sign was an easy choice; it wasn’t commonly used in computing, so there would be no confusion. “It’s the only preposition on the keyboard.”


Is the question mark an abbreviation?

question marks from many typefaces

We’re not sure how the question mark in its present form came to be, but according to Alexander and Nicholas Humez, medieval scribes indicated a question by adding the interrogative quaestio at the end of what otherwise would have been a declarative sentence. Sometime before the Renaissance invention of upper and lower case letters, the repetitive writing of the word quaestio led to an abbreviated Qo, which then naturally led to a stylized, abbreviation: “Q” with the “o” diminishing to a simple dot underneath.

Others posit the credible idea that the question mark evolved from an inverted semicolon—the eroteme (question mark) in Greek is a semicolon. This may sound fanciful, but take a look at the evolution.

Use italics for emphasis

use italics for emphasis, not bold face

Italics are the elegant way to emphasize text. Bold faces are for headlines, posters or logos. Bold type breaks up the flow and degrades the readability of text just as words or phrases in all caps are like blotches in a column of type. Type often comes in extended families of varying weights, but as Robert Bringhurst said of boldface (which did not exist until the nineteenth century), “The marriage of type and text requires courtesy to the in-laws, but it does not mean that all of them ought to move in, nor even that all must come to visit.”


Ye olde deliberate antiquarianism…

Ye Olde Whatever...

“Ye” was pronounced “the.”
“Ye” is a 16th century substitution of a “y” for an Old English character known as the thorn (“þ”), originally a Germanic rune that represented the interdental th sound. In late 15th century, early English printers, whose types were still founded on the continent, did not have the þ so they substituted the y, which read enough like a  þ when set in type. It dropped from usage as “th” gained favor, but was revived in the 19th century as a self-conscious antiquarianism.

Note: The “ye” in the carol, God Rest Ye Merry Gentlemen was not an article, it was a familiar second person pronoun (“thou” would have been the singular), and thus, another word altogether.